{"id":1119,"date":"2018-02-15T15:05:24","date_gmt":"2018-02-15T15:05:24","guid":{"rendered":"https:\/\/www.brucewiggins.co.uk\/?page_id=1119"},"modified":"2019-02-20T11:36:32","modified_gmt":"2019-02-20T11:36:32","slug":"sounds-in-space-2018","status":"publish","type":"page","link":"https:\/\/www.brucewiggins.co.uk\/?page_id=1119","title":{"rendered":"Sounds in Space 2018"},"content":{"rendered":"

Sounds in Space 2018 is now over, but we’ve got videos and accompanying PDFs (on their way!) of each of the talks to share.  Comments always welcome.<\/p>\n

Sounds in Space 2018 – Day 1<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Time<\/th>\nTalk<\/th>\nAuthor<\/th>\nVideo<\/th>\n<\/tr>\n<\/thead>\n
11:00<\/td>\nWelcome<\/td>\nBruce Wiggins<\/td>\nVideo<\/a><\/td>\n<\/tr>\n
11:10<\/td>\nKeynote : Redefining live sports audio for object-based and immersive broadcast: challenges and solutions.<\/td>\nBen Shirley<\/td>\nVideo<\/a><\/td>\n<\/tr>\n
11:50<\/td>\nHow High is Enough? Strategies for Ambisonics Immersive Audio over Headphones<\/td>\nBruce Wiggins & Mark Dring<\/td>\nVideo<\/a>
\nSlides<\/a><\/td>\n<\/tr>\n
12:20<\/td>\nRethinking production techniques and aesthetics in Brazilian popular music using HOA<\/td>\nJos\u00e9 Ricardo Barboza<\/td>\nVideo<\/a>
\nSlides<\/a><\/td>\n<\/tr>\n
12:50<\/th>\nLunch<\/th>\n<\/th>\nMS017\/8<\/th>\n<\/tr>\n
13:50<\/td>\nThe simulation and evaluation of Planar HOA and WFS arrays<\/td>\nAlex Vilkaitis<\/td>\nVideo<\/a>
\nSlides<\/a><\/td>\n<\/tr>\n
14:20<\/td>\nThe Spherical Glitch Studies<\/td>\nTimothy Schmele<\/td>\nVideo<\/a><\/td>\n<\/tr>\n
14:50<\/td>\nComposing for an Ambisonic Environment<\/td>\nRob Cadman<\/td>\nVideo<\/a>
\nSlides<\/a><\/td>\n<\/tr>\n
15:20<\/th>\nBreak<\/th>\n<\/th>\nMS017\/8<\/th>\n<\/tr>\n
N\/A<\/td>\nThe Politics of Periphony (shared after the event via video)<\/td>\nAditya Mandayam<\/td>\n<\/td>\n<\/tr>\n
15:50<\/td>\n3D audio for music: an investigation into recomposition for binaural reproduction<\/td>\nJo Lord<\/td>\nVideo<\/a>
\nSlides<\/a><\/td>\n<\/tr>\n
16:20<\/td>\nWhat differences does spatial audio make for the viewer compared to a stereo downmix? A heatmap case-study.<\/td>\nMartin Rieger<\/td>\nVideo<\/a>
\nSlides<\/a><\/td>\n<\/tr>\n
16:50<\/th>\nBreak<\/th>\n<\/th>\n<\/th>\n<\/tr>\n
17:20<\/td>\nHolomorph (https:\/\/vimeo.com\/234689992<\/a>)<\/td>\nAugustine Leudar<\/td>\nVideo <\/a>
\nSlides<\/a><\/td>\n<\/tr>\n
18:00<\/th>\nClose of Day 1<\/th>\n<\/th>\n<\/th>\n<\/tr>\n<\/tbody>\n<\/table>\n

Sounds in Space 2018 – Day 2<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Time<\/th>\nTalk<\/th>\nAuthor<\/th>\nRoom<\/th>\n<\/tr>\n<\/thead>\n
10:00<\/td>\nWelcome<\/td>\nBruce Wiggins<\/td>\nVideo<\/a><\/td>\n<\/tr>\n
10:10<\/td>\nPsychoacoustics of 3D and VR Sound Recording: Research and Practice<\/td>\nHyunkook Lee<\/td>\nVideo<\/a>
\nSlides<\/a><\/td>\n<\/tr>\n
10:50<\/td>\nPresentation : Composing 3D immersive music and acusmatic montrage : strategies, aesthetic and perception & Cath\u00e9drales : I – Ville aux cents clochers<\/td>\nDavid Ledoux<\/td>\nVideo<\/a><\/td>\n<\/tr>\n
11:20<\/td>\nOn High Frequency Variation in Ambisonics<\/td>\nThomas McKenzie<\/td>\nVideo<\/a>
\nSlides<\/a><\/td>\n<\/tr>\n
11:50<\/th>\nLunch<\/th>\n<\/th>\nMS017\/8<\/th>\n<\/tr>\n
12:50<\/td>\nImmersive Audio for the Live Event<\/td>\nDave Haydon<\/td>\nVideo<\/a><\/td>\n<\/tr>\n
13:30<\/td>\nStrategies for the Creation of Spatial Gestures in Virtual Reality<\/td>\nMichael Smith<\/td>\nVideo<\/a><\/td>\n<\/tr>\n
14:00<\/th>\nBreak<\/th>\n<\/th>\nMS017\/8<\/th>\n<\/tr>\n
14:30<\/td>\nTranslation between surround formats: A case study using Moog analogue synthesis in the piece Voyage Foog Phat Moog No1.<\/td>\nSimon Hall<\/td>\nVideo<\/a>
\nSlides<\/a><\/td>\n<\/tr>\n
15:00<\/td>\nrive: splitting sound and light<\/td>\nJames Dooley<\/td>\nVideo<\/a>
\nSlides<\/a><\/td>\n<\/tr>\n
15:30<\/td>\nInsights for 3rd Order Ambisonic creation with high-definition production values<\/td>\nKinicho<\/td>\nVideo<\/a>
\nSlides<\/a><\/td>\n<\/tr>\n
16:00<\/th>\nClose<\/th>\n<\/th>\n<\/th>\n<\/tr>\n<\/tbody>\n<\/table>\n