{"id":881,"date":"2017-03-08T11:08:28","date_gmt":"2017-03-08T11:08:28","guid":{"rendered":"http:\/\/www.brucewiggins.co.uk\/?page_id=881"},"modified":"2019-01-25T10:21:44","modified_gmt":"2019-01-25T10:21:44","slug":"sounds-in-space-2017","status":"publish","type":"page","link":"https:\/\/www.brucewiggins.co.uk\/?page_id=881","title":{"rendered":"Sounds in Space 2017"},"content":{"rendered":"

Sounds in Space 2017 is now over, but we’ve got videos and accompanying PDFs of each of the talks to share. \u00a0Comments always welcome.<\/p>\n

Please note that Jimi Hendrix’s Voodoo Chile broke the stream during John Leonard’s keynote (facebook canned the stream once it noticed!), and when the stream was restarted (YouTube only!) there is some audio glitching for a little while…..our apologies for this unforeseen hiccup – the 2nd stream restart fixed it!<\/p>\n

Sounds in Space Programme 2017<\/strong><\/em><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Time<\/strong><\/td>\nTalk<\/strong><\/td>\nAuthor<\/strong><\/td>\nRoom<\/strong><\/td>\n<\/td>\n<\/tr>\n
09:30<\/td>\nWelcome and Keynote<\/td>\nJohn Leonard<\/td>\nAud 3<\/td>\nVideo
\n<\/a>Slides<\/a><\/td>\n<\/tr>\n
10:10<\/td>\nMeasured Reverbs for
\nAmbisonics and VR<\/td>\n		Bruce
\nWiggins<\/td>\n		Aud 3<\/td>\nVideo<\/a>
\nSlides<\/a><\/td>\n<\/tr>\n
10:40<\/td>\nStereo Upmixing to 3rd Order
\nAmbisonics using Multilevel Thresholding<\/td>\n		Haydon
\nCardew<\/td>\n		Aud 3<\/td>\nVideo<\/a>
\nSlides<\/a><\/td>\n<\/tr>\n
11:10<\/td>\nBreak<\/td>\n<\/td>\nMS017\/8<\/td>\n<\/td>\n<\/tr>\n
11:40<\/td>\nKeeping Spatial Simple: Immersive Audio For The Small Theatre<\/td>\nRob Lawrence<\/td>\nAud 3<\/td>\nVideo<\/a>
\nSlides<\/a><\/td>\n<\/tr>\n
12:10<\/td>\nSynths in Space:
\nexperimental spatial audio synthesisers<\/td>\n		Oli Larkin<\/td>\nAud 3<\/td>\nVideo<\/a><\/td>\n<\/tr>\n
12:40<\/td>\nOperas and Urban Soundscapes<\/td>\nAngelo
\nFarina<\/td>\n		Aud 3<\/td>\nVideo<\/a>
\nSlides<\/a><\/td>\n<\/tr>\n
13:10<\/td>\nLunch<\/td>\n<\/td>\nMS017\/8<\/td>\n<\/td>\n<\/tr>\n
14:00<\/td>\nThe Development, Delivery and Outcome of the artwork Entirely Hollow Aside from the Dark<\/td>\nAlan-James Burns<\/td>\nAud 3<\/td>\nVideo
\n<\/a>Slides<\/a><\/td>\n<\/tr>\n
14:30<\/td>\nEridanus: a practical use of
\nSpatial Audio for entertaining, audio-only storytelling<\/td>\n		Axel Drioli<\/td>\nAud 3<\/td>\nVideo<\/a>
\nSlides<\/a><\/td>\n<\/tr>\n
15:00<\/td>\nTopophilia<\/td>\nNikos
\nStavropoulos<\/td>\n		Aud 3<\/td>\nVideo<\/a>
\nSlides<\/a><\/td>\n<\/tr>\n
15:30<\/td>\nBreak<\/td>\n<\/td>\nMS017\/8<\/td>\n<\/td>\n<\/tr>\n
16:00<\/td>\nPerceiving Urban
\nSoundscapes: Human and Machine Perspectives<\/td>\n		Marc Green<\/td>\nAud 3<\/td>\nVideo<\/a>
\nSlides<\/a><\/td>\n<\/tr>\n
16:30<\/td>\n\u00a0Time tides: An exploration of dynamic loop-based performance diffused in a multi-channel environment.<\/td>\nTime.lus (Paul Vandemast-Bell & Michael Brown)<\/td>\nAud 3<\/td>\nVideo<\/a><\/td>\n<\/tr>\n
17:00<\/td>\nClose<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n