Ambisonic Music Creation for the Masses……and other bits and bobs
Pubs
Publications
M. Dring and B. Wiggins, “Browser-Based Webcam Head-Tracked Ambisonics (WHAM),” 2023 Immersive and 3D Audio: from Architecture to Automotive (I3DA), Bologna, Italy, 2023, pp. 1-10, doi: 10.1109/I3DA57090.2023.10289143.
Dring, M. and Wiggins, B., 2021. WHAM: TO ASYMMETRY AND BEYOND!. Reproduced Sound 2021, Vol. 43 Pt. (2). Available at: <https://www.ioa.org.uk/catalogue/paper/wham-asymmetry-and-beyond>.
Werner, D., Wiggins, B., Fitzmaurice, E. (2021) ‘Development of an Ambisonic Guitar System GASP: Guitars with Ambisonic Spatial Performance’, in Hepworth-Sawyer, R. (ed.), Paterson, J. (ed.), Toulson, R. (ed.) Innovation in Music Future Opportunities, Abington, Routledge pp. 125-145.
Dring, M., Wiggins, B. (2020) WHAM: Webcam Head-tracked AMbisonics. Reproduced Sound 2020 – Proceedings of the Institute of Acoustics, Vol. 42. Pt. 3 2020, UK
Dring, M., Middlicott, C., Wiggins, B., Vilkaitis, A., (2017) Modelling The Performance of Speaker Arrays In Domestic Listening Environments. Reproduced Sound 2017 – Proceedings of the Institute of Acoustics, p119-128, Vol 39. Pt. 1 2017, Nottingham, UK
Vilkaitis, A., Wiggins, B. (2017) WFS and HOA: Simulations and evaluations of planar Higher Order Ambisonic, Wave Field Synthesis and Surround Hybrid Algorithms for lateral spatial reproduction for in theatre. 4th International Conference on Spatial Audio, 7-10 Sept., Graz, Austria.
Vilkaitis, A., Dring, M., Middlicott, C., Wiggins, B., Hill, A.J., (2016) Room Acoustics and Virtual Reality: An Implementation of Auralisation and 360 Degree Image Techniques to Create Virtual Representations of Spaces. Reproduced Sound 2016 – Proceedings of the Institute of Acoustics, p45-56, Vol 38. Pt. 2 2016, Southampton, UK.
McKenzie, I., Lennox, P. and Wiggins, B. (2014). Hearing Without Ears. In: 20th International Conference on Auditory Display (ICAD2014). New York, NY: Georgia Institute of Technology International Community for Auditory Display.
Schillebeeckx, P. Wiggins, B., Paterson-Stephens, I. (2001) Using Matlab/Simulink as an implementation tool for Multi-Channel Surround Sound. Proceedings of the 19th International AES Conference on Surround Sound, Germany, p. 366-372.
Paterson-Stephens, I; Wiggins, B; Denormal numbers in floating-point processor applications, GlobalDSP On-line Journal July 2003.
Paterson-Stephens, I; Wiggins, B; Quadrature filtering using an optimised Hilbert transform, GlobalDSP On-line Journal March 2003
Conference Presentations & Demonstrations
Duncan Werner; Wiggins, Bruce; Emma Fitzmaurice; and Matthew Hart. Immersive Sound for Electric Guitar: Further Developments of the GASP Project. Presentation made at ADC 2021. https://www.youtube.com/watch?v=zqb9iJ70l5I
Dring, M., Wiggins, B. (2018) How High is Enough? Strategies for Ambisonics Immersive Audio over Headphones. Sounds in Space Research Symposium, 2018, Derby, UK
Werner, D., Wiggins, B. Guitars with Ambisonic Spatial Performance. Klingt Gut 2017, Hamburg, Germany.
Wiggins, B. (2016) Head-tracked audio for all – the 3D audio VR revolution. Reproduced Sound 2016, Institute of Acoustics, Southampton, UK (Invited Talk).
Wiggins, B. (2015) AmbiFreeverb 2 – A steerable 3D reverb for Ambisonic production. Sounds in Space Research Symposium, Derby, UK.
Wiggins, B. (2014) Practical Ambisonics, the Pros, Cons and Pitfalls of 3D Audio. Invited speaker at Sound Recording Techniques, Organised by the Musical Acoustics and Electroacoustics Group Sound Recording Techniques and their influences on Musical Composition, Interpretation, Performance and Appreciation, MediaCityUK, Salford, UK
Wiggins, B. (2012) Practical Ambisonics. Invited speaker at Institute of Acoustics’ Reproduced Sound 2012, Brighton, UK.
Wiggins, B. (2012) Practical Ambisonics. Invited speaker at 15th International Conference on Digital Audio Effects Conference (DAFx-12), University of York, UK
Wiggins, B. (2012) Future-proof surround sound mixing using Ambisonics and Reaper. 25th AES UK Conference: Spatial Audio in Today’s 3D World in association with the 4th International Symposium on Ambisonics and Spherical Acoustics, University of York, UK
Wiggins, B. (2012) Bringing Audio to [Ambisonic] Order. Invited speaker at COMPASS (Centre for Composition and Associated Studies), Univerversity of Birmingham, UK.
Wiggins, B (2009) “The Simulation of Distance in Multi-Channel Audio”, Presentation at University of Derby Research Conference, Derby, UK.
Wiggins, B. (2008) Has Ambisonics Come of Age? Reproduced Sound 24 – Proceedings of the Institute of Acoustics, Vol 30. Pt 6.
Wiggins, B. (2008) Ambisonics in Reaper – Spatial Sound & Music, EPSRC SpACE-NET International Workshop, University of Derby, UK
Wiggins, B. (2008) Screencasts for Education using BB Flashback and Adobe Captivate. Presentation given at Faculty of Arts, Design and Technology Teaching, Learning and Assessment conference, Derby, UK.
Wiggins, B. Paterson-Stephens, I., Lowndes, V., Berry, S. (2003) The Design and Optimisation of Surround Sound Decoders Using Heuristic Methods. Proceedings of UKSim 2003, Conference of the UK Simulation Society p.106-114.
Wiggins, B., (2003); Deriving Optimal Settings for Surround Sound Systems, The Institute of Mathematics and its Applications, guest speaker, September 2003
Wiggins, B., Lennox, P. (2002) Worm – Real-time 32 speaker 1st and 2nd order Ambisonic installation demonstration, Maxis festival, 2002.
Wiggins, B., Brown, M., (2013) [Download not found]. Poster and Audio/visual installation presented at Stargazing Live, University of Derby, UK.
Wiggins, B., Brown, M., Lane, K., Gibbins, A. (2009) Novel Human Computer Interaction Development. Poster presented at the University of Derby Learning, Teaching and Assessment Conference, Buxton, UK.