Sounds in Space 2018 is now over, but we’ve got videos and accompanying PDFs (on their way!) of each of the talks to share. Comments always welcome.
Sounds in Space 2018 – Day 1
Time | Talk | Author | Video |
---|---|---|---|
11:00 | Welcome | Bruce Wiggins | Video |
11:10 | Keynote : Redefining live sports audio for object-based and immersive broadcast: challenges and solutions. | Ben Shirley | Video |
11:50 | How High is Enough? Strategies for Ambisonics Immersive Audio over Headphones | Bruce Wiggins & Mark Dring | Video Slides |
12:20 | Rethinking production techniques and aesthetics in Brazilian popular music using HOA | José Ricardo Barboza | Video Slides |
12:50 | Lunch | MS017/8 | |
13:50 | The simulation and evaluation of Planar HOA and WFS arrays | Alex Vilkaitis | Video Slides |
14:20 | The Spherical Glitch Studies | Timothy Schmele | Video |
14:50 | Composing for an Ambisonic Environment | Rob Cadman | Video Slides |
15:20 | Break | MS017/8 | |
N/A | The Politics of Periphony (shared after the event via video) | Aditya Mandayam | |
15:50 | 3D audio for music: an investigation into recomposition for binaural reproduction | Jo Lord | Video Slides |
16:20 | What differences does spatial audio make for the viewer compared to a stereo downmix? A heatmap case-study. | Martin Rieger | Video Slides |
16:50 | Break | ||
17:20 | Holomorph (https://vimeo.com/234689992) | Augustine Leudar | Video Slides |
18:00 | Close of Day 1 |
Sounds in Space 2018 – Day 2
Time | Talk | Author | Room |
---|---|---|---|
10:00 | Welcome | Bruce Wiggins | Video |
10:10 | Psychoacoustics of 3D and VR Sound Recording: Research and Practice | Hyunkook Lee | Video Slides |
10:50 | Presentation : Composing 3D immersive music and acusmatic montrage : strategies, aesthetic and perception & Cathédrales : I – Ville aux cents clochers | David Ledoux | Video |
11:20 | On High Frequency Variation in Ambisonics | Thomas McKenzie | Video Slides |
11:50 | Lunch | MS017/8 | |
12:50 | Immersive Audio for the Live Event | Dave Haydon | Video |
13:30 | Strategies for the Creation of Spatial Gestures in Virtual Reality | Michael Smith | Video |
14:00 | Break | MS017/8 | |
14:30 | Translation between surround formats: A case study using Moog analogue synthesis in the piece Voyage Foog Phat Moog No1. | Simon Hall | Video Slides |
15:00 | rive: splitting sound and light | James Dooley | Video Slides |
15:30 | Insights for 3rd Order Ambisonic creation with high-definition production values | Kinicho | Video Slides |
16:00 | Close |
Call for Works now closed – please see details in the Call for Works section later in the page.
We now have a website for Sounds in Space. To submit an abstract, book a place, or view the programme for the event please visit:
www.soundsinspace.co.uk
A Research Symposium – Tues/Wed 26th/27th June, 2018 University of Derby
Markeaton Street Campus
http://www.derby.ac.uk/
This is a low cost event, with meals and light refreshments provided. If you wish to register for the event, then please visit www.SoundsinSpace.co.uk
Sounds In Space, hosted by Creative Technologies Research Group, will involve a full programme of research presentations and practical demonstrations relating to spatial sound providing a rich opportunity for exploration of academic, technical and creative practice research in the aesthetics, procedure, technology and perception of technology-based spatial sound and music using the facilities of the Markeaton Street Campus of the University of Derby. The day features a 28 speaker with-height Ambisonic Speaker Array in the main presentation room, as well as a Sonic Emotion Wave 1 Wavefield Synthesis Array.
Call for Works:
If you’re interested in demonstrating your work (research, case study, surround sound/VR installation/composition etc), then please see the call and further details PDF below. The event is a relaxed and stimulating one with time for networking/questions and discussion. Feedback on previous years symposia has been excellent, and there’s always a great mix of theory and practise with a focus on demonstrations and examples during the day using the 32 speaker 3D array installed in the presentation room for the event.
Sounds in Space Call for Works 2018 (deadline for abstracts, 8th April 2018)
To get a feel for the event, feel free to look at:
Sounds in Space 2017 (including videos of all presentations)
Sounds in Space 2016
Sounds in Space 2015
Sounds in Space 2014
Sounds in Space 2013
Sounds in Space 2012
Sounds in Space 2011
Picture of a Surround Concert in Auditorium 3 at Markeaton Street, 2011